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11-10-2011, 02:20 PM | #23 |
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if you're using an all-purpose 18-300mm lens on your entry-level DSLR, you might as well get a Canon PowerShot S95 or something similar.
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11-10-2011, 02:52 PM | #24 |
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wow thread ressurected. i now have the 35mm f1.8 and the tokina 11-16mm and they cover my needs. maybe a zoom in the future but i dont like them. for longer range imay get the 105 or 135mm.
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11-10-2011, 02:57 PM | #25 | |
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Nikon AF-S DX 35mm f1.8G Nikon AF-S DX 18-105mm F3.5-5.6G ED VRII Nikon AF-S DX 18-200mm F3.5-5.6G ED VRII Tokina 11-16mm f/2.8 AT-X 116 Pro DX I got the 18-105 as the kit lens but wanted a bit more reach so I got the 18-200. Next was the 11-16 Tokina. This is a specialty lens but it has some amazing possibilities! That lens being a f2.8 also opened my eyes to aperture's of a lens. So the 35mm f1.8 was next. The low light & DOF possibilities with this lens are amazing! I'd go with the 35mm but an good "all around" lens would be the 18-200. If you want a lightly used 18-105 I would probably be willing to let mine go. Haven't used it since I got the 18-200. Hope this helps! P.S. The Tokina won't focus on the 5100. |
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11-11-2011, 12:22 AM | #26 | |
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While you might be tempted to look at the 55-200 DX or the 55-300 DX, the money you invest in glass is not wasted. With what you've described, I think you'd love the 70-300 VR. I have a D5000 and bought the 70-300 both on the recommendation of a professional photographer friend (who has a 70-200 VRII I borrowed before my purchase), and from my own comparison of the 70-300 relative to the two 55-200/300 DX zooms. Firstly, the 55-200's plastic mount didn't sit easy with me. Don't get me wrong, it's a relatively sharp and light lens, but...well, I didn't like the non-internal focus and the feel of the lens...a fair bit of zoom creep. The 55-300 had a metal mount, but I didn't like the feel of the two-piece zoom tube (in addition to the main barrel) and the zoom creep was even worse on this lens than the 55-200. Again, lack of internal focus was irritating and rotates the end of the lens, which would be a problem with polarizing filters (which I like to use at times, in place of my standard neutral density filter). Without having to pay the ~$2000-ish for the 70-200 VRII, the 70-300 gives a fairly reasonable "semi-pro" build and feel to a telezoom, and for $400-ish, it's a pretty good value. FWIW, I think the VR performance of the 70-300 is much better than either of the 55mm DX zooms. Mein zwei pfenning, D.
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11-13-2011, 01:29 PM | #28 | |
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He's only missing the telezoom now. Cheers D.
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11-13-2011, 05:56 PM | #29 |
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go with the 35mm that lens is amazing.
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11-18-2011, 12:55 AM | #30 | |
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@Panicos81 How's that D5100 coming along? I'm still trying to decide whether or not to upgrade to the D5100 or D7000. Got any sample pics? |
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11-18-2011, 03:07 AM | #31 | |
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Video havent used much the seems very good. I went with the d5100 firstly for the cost and because i plan on upgrading to a full frame in the future so i didnt want to get the expensive crop. bottom line, if you afford it or planning to stay with a crop sensor then get the d7000. pictures when i get home, i´m at work now and dont have access..
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